• Evie Finch @ewie

    mi tu li pali ala #789 - jan wawa

    Page 1 of chapter 789 of the the manga "Hatarakanai Futari". It's been translated into toki pona. The full transcript is included below.

    Page 2 of chapter 789 of the the manga "Hatarakanai Futari". It's been translated into toki pona. The full transcript is included below.

    Full transcript

    Page 1

    Panel 1:

    A woman with short spiky hair, jan Aki, is walking down the street.

    Panel 2:

    jan Aki: "seme?"

    Panel 3:

    The panel shows a second person, jan Mamolu a tired looking person with glasses wearing sweatpants and a sweatshirt, walking down down the street while whistling.

    jan Aki: "ona li..."

    Panel 4:

    jan Aki: "a a"

    Panel 5:

    jan Aki sneaks up behind jan Mamolu.

    Panel 6:

    jan Aki whacks jan Mamolu on the head with a stick. The SFX read "pakala palisa".

    jan Mamolu: "a!"

    Panel 7:

    jan Aki: "seme? pilin mi la sina awen ala tan ni"

    Panel 8:

    jan Aki, laughing boisterously: "mi ken ala sona e sina. sina nasa mute a!"

    Panel 9:

    jan Aki smiles: "tomo mi li lon ni. sina o moku e telo kasi."

    Panel 10:

    The panel shows the face of a new woman, likely jan Aki's mom. She has white hair and a large circular-ish dark scar over her right eye. It is roughly the size of a quarter of her face.

    jan Aki's mom: "n? nasa a"

    Panel 11:

    The panel now shows the whole room. All 3 people are at the entrance of the jan Aki's house.

    jan Aki's mom: "jan Aki li kama e mije."

    jan Mamolu: "mi kama"

    Panel 12:

    jan Aki's mom: "sina pona? meli mi li pakala e sina anu seme?"

    Panel 13:

    jan Mamolu and jan Aki look at each other, straight faced.

    Page 2

    Panel 1:

    jan Mamolu: "ona li pakala"

    jan Mamolu is leaning forward, while jan Aki has her foot on jan Mamolu, gesturing at kicking him.

    jan Aki: "o pini e toki lon ala"

    jan Aki's mom, mad: "jan Aki!"

    Panel 2:

    The scene now shows a cup of tea.

    jan Mamolu: "mama sina..."

    Panel 3:

    The camera has pulled out, showing that jan Aki and jan Mamolu are in some sort of room for serving guests. They're sitting around a table with tea.

    jan Mamolu, continuing: "ona li wawa anu seme?"

    jan Aki: "seme?"

    Panel 4:

    jan Aki: "pala ona li tan tenpo pi jan lili ona. ni li tan utala ala"

    Panel 5:

    jan Mamolu, sipping his tea: "ni la, ni li lon mute. pilin mi la pakala ni li ike suli tawa sina"

    Panel 6:

    jan Mamolu: "taso, ona li toki tawa mi la ona li lukin tawa oko mi"

    Panel 7:

    The panel shows jan Aki, with a stern expression, as if she's judging jan Mamolu's words about her mom.

    jan Mamolu: "ona li kama lon ijo ike mute. nasin ni li wawa kin anu seme. ni li pona tawa mi"

    Panel 8:

    jan Aki's stern expression has slanted upwards a bit.

    jan Aki: "n"

    Panel 9:

    jan Aki burts out laughing: "a a a!"

    jan Mamolu: "seme?"

    Panel 10:

    jan Aki: "sina sona pona e ni"

    Panel 11:

    jan Aki: "mama mi li wawa nanpa wan lon tomo mi"

    The panel shows jan Aki's mom and dad standing next to each other. jan Aki's dad is a gruff and buff man with a head of spiky hair and multiple scars on his face. The type you would get from fights.

    They're talking in scribbly handwriting that would be reserved for asides.

    jan Aki's dad: "mama. moku."

    jan Aki's mom: "o awen. ni li tenpo 4"

    I've done yet another chapter of Hatarakanai Futari! This one is my third! (You can see all my previous translations here.) My previous chapter was also uploaded today, but was actually finished a little under a month ago. This one I think has really shown how I've refined the workflow. I was able to finish this over the course of one full 24 hour day. It was a long day of work, I think I worked about 12 hours to finish it, but that's still so much faster than the previous chapter! It's also a bit higher effort than the previous chapter. I did some light redrawing on the sound effects so they'd fit better in the space. It was surprisingly easy! I guess that's an upside of matching my handwriting to the art style of the manga.

    I think this chapter really made me wish that toki pona had some sort of syllabery or something. While Aki's name was easily able to be done in toki pona, her younger sister, Yuki, will not. There's actually no toki pona words with a "ju" sound at the start! If there was a syllabery I would be able to easily spell her name with only two characters! It would also make sound effects easier. It's been super annoying to literalize all the sound effects. A head scratch is not a "luka luka" sound to me. It's just a sound! However, I remain steadfastly committed to never using sitelen lasina in these, so I guess sitelen pona SFX and names are my only option until people adopt something.

    I've also grown a bit frustrated with the tally system. I like the dot system more, where each dot represents one morae of a word (it'd break words down like so: a-we-n), which I think fits more naturally with how people would try to read a name from sitelen pona, which is by syllable. I feel like a tally representing one letter adds more mental overhead. You have to imagine the word in your head in sitelen lasina, and then count each letter, then apply that back to sitelen pona! that's so much work! However, the dot system takes up much more space than the tally system, and I'm super space constrained for names. They're so big!

    This chapter is really good! It's another deeper chapter, and it features Mamoru, who is one of my favorite characters! Yuki/Aki's mom is also a really good character, who I wish got more screentime in the manga. This chapter is a prerequisite for me to get to a chapter I really want to do. However, to get to it, I'd still need to do some more chapters about Yuki/Aki's dad. I'd also want to do some more shorter joke chapters, just to show that this manga isn't just nonstop serious moments. I think it'd end up a bit disappointing if you check out the manga only to see that it's primarily gags and only occasionally deeper moments. Anyways I really like the message of this chapter. I like the focus on forms of strength that aren't physical, and I'm a huge sucker for when you have a family of very physically strong people, and the non-physically strong mom is considered the strongest person in the house. Good moms are great.

    1. #toki pona
    2. #hatarakanai futari
    3. #mi tu li pali ala

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  • Evie Finch @ewie

    mi tu li pali ala #1048 - jan pali sin

    Page 1 of chapter 1048 of the the manga "Hatarakanai Futari". It's been translated into toki pona. The full transcript is included below.

    Page 2 of chapter 1048 of the the manga "Hatarakanai Futari". It's been translated into toki pona. The full transcript is included below.

    Page 3 of chapter 1048 of the the manga "Hatarakanai Futari". It's been translated into toki pona. The full transcript is included below.

    Page 4 of chapter 1048 of the the manga "Hatarakanai Futari". It's been translated into toki pona. The full transcript is included below.

    Page 5 of chapter 1048 of the the manga "Hatarakanai Futari". It's been translated into toki pona. The full transcript is included below.

    Page 6 of chapter 1048 of the the manga "Hatarakanai Futari". It's been translated into toki pona. The full transcript is included below.

    Full transcript

    Page 1

    Panel 1:

    A nerdy woman, jan Takata, is walking down a pathway.

    Panel 2:

    jan Takata: "n..."

    Panel 3:

    A second, more attractive, woman, named jan Sakulapa, speaks to jan Takata, shocking her.

    jan Sakulapa: "jan Takata"

    Panel 4:

    jan Sakulapa: "toki a!"

    jan Takata: "a... jan Sakulapa."

    Panel 5:

    jan Sakulapa: "sina seme? pali li pona ala pona tawa sina?"

    Panel 6:

    jan Takata: "pali... li ike..."

    Panel 7:

    jan Takata, continuing from earlier: "...tawa mi."

    jan Sakulapa: "a? ike a!"

    Panel 8:

    jan Sakulapa: "ni la, mi ale o lukin pali pona"

    Panel 9:

    jan Sakulapa walks away from jan Takata, with a devilish grin on her face.

    Panel 10:

    jan Takata: "n..."

    Panel 11:

    jan Takata, hand on her stomach: "insa mi li pilin ike..."

    Panel 12:

    We cut to the outside of an office building.

    Panel 13:

    jan Osija, a businessman currently mentoring both jan Takata and Sakulapa, speaks while pointing at a piece of paper: "nanpa li lon lipu ni la..."

    Panel 14:

    jan Osija, continuing: "o sitelen e ona lon ni"

    jan Sakulapa: "pona!"

    Page 2

    Panel 1:

    jan Takata looks offscreen towards the direction of jan Osija. She delivers some narration.

    Narration: "tenpo pini la..."

    Panel 2:

    Narration: "mi tu li kama lon kulupu suli ni"

    Panel 3:

    Narration: "jan Osija li pana e sona mute tawa mi, taso...

    Panel 4:

    Narration: "ona... li toki tawa jan Sakulapa taso"

    jan Osija, to jan Sakulapa: "kin la..."

    Panel 5:

    Narration: "ona li toki wawa ala"

    jan Osija, with little "kalama lili" SFX on the speech bubble: "kin la, sina o"

    Narration: "mi ken ala kute e toki ona"

    Panel 6:

    jan Takata, thinking: "li ken ala lukin e lipu kin"

    Panel 7:

    jan Sakulapa looks over in jan Takata's direction, and seems to have an idea.

    Panel 8:

    jan Sakulapa scoots over to her right side, nudging jan Takata away from jan Osija.

    jan Sakulapa: "a! mi sona!"

    jan Takata: "a"

    Panel 9:

    jan Sakulapa: "mi wile pali e ni"

    Panel 10:

    jan Takata, thinking: "pilin mi la, ona wile e ni"

    Panel 11:

    The scene is focusing on two coworkers talking to each other.

    Coworker A: "a... jan tu li ante mute lon sike ni"

    Panel 12:

    Coworker A: "pona la ike"

    Coworker B: "ni"

    Panel 13:

    jan Takata is standing awkwardly.

    jan Takata: "..."

    Page 3

    Panel 1:

    jan Takata's supervisor is looking over at a computer, with a concentrated expression on his face.

    Panel 2:

    The supervisor looks up from his computer to jan Takata, who is standing in his office.

    The supervisor: "lipu esun ni li seme, jan Takata."

    Panel 3:

    The supervisor: "lipu ni li ike mute. pakala mute li lon ni"

    Panel 4:

    jan Takata, looking glum: "mi... mi wile pona e ni"

    Panel 5:

    The supervisor: "o pona e ni lon suno ni"

    jan Takata: "a"

    Panel 6:

    jan Takata: "taso... mi ken ala... mi sona ala pali ni"

    Panel 7:

    The supervisor stares menacingly. The SFX read "oko wawa".

    Panel 8:

    The supervisor: "ni la, o toki tawa jan Osija"

    Panel 9:

    jan Takata is approaching jan Osija, nervously. jan Osija is looking at her annoyed.

    jan Takata: "jan Osija"

    Panel 10:

    jan Osija: "seme? sina sona ala pali ni kin?"

    Panel 11:

    jan Osija, with an even stronger annoyed expression: "mi pana e sona ni lon tenpo lili anu seme?"

    Panel 12:

    The panel shows jan Sakulapa showing the supervisor her work.

    jan Osija: "jan Sakulapa ken pali ni pona"

    Panel 13:

    jan Takata looks down, sadly.

    Page 4

    Panel 1:

    jan Osija, walking away: "pali ni li suli ala tawa sina la, sina o weka tan kulupu."

    Panel 2:

    jan Takata looks down miserably.

    Panel 3:

    jan Takata clutches her stomach, which has the SFX "pilin ike".

    Panel 4:

    The scene shows the same office building, but now it's darker.

    Panel 5:

    jan Malujama and his coworker are walking together, talking.

    The coworker: "jan Malujama!"

    Panel 6:

    jan Malujama glowers at the coworker, which has the SFX "pakala".

    Panel 7:

    The coworker: "sina wile ala wile tawa tomo musi meli?"

    jan Malujama: "ala"

    Panel 8:

    jan Malujama: "tenpo sin ala"

    The coworker: "aaa! tan seme?"

    Panel 9:

    jan Malujama: "ni la, mi weka e sona mi lon tenpo ale"

    The coworker: "ale li pona. pilin mi ja tawa ni li musi"

    Panel 10:

    The coworker pauses to look away from jan Malujama.

    The coworker: "a"

    Panel 11:

    You see what the coworker is looking at. It's jan Takata.

    The coworker: "jan pali sin li awen pali"

    Panel 12:

    jan Malujama looks over excitedly.

    jan Malujama: "jan pali sin! jan Sakulapa!"

    Panel 13:

    jan Malujama: "a. ona li jan Takata"

    Page 5

    Panel 1:

    The coworker: "mi kute e ni. ona li pali ike. lukin mi la ona li jan pi pilin ike. pona ala a!"

    Panel 2:

    jan Malujama: "..."

    Panel 3:

    jan Malujama, walking away: "mi tawa"

    The coworker, shocked: "seme?"

    Panel 4:

    The coworker: "tomo musi li seme?"

    jan Malujama: "mi awen tawa ala"

    Panel 5:

    jan Takata is working at the computer, miserably.

    Panel 6:

    A coffee is held out to her by someone out of view.

    The out of view person: "o jo"

    Panel 7:

    The person holding the coffee is revealed to be jan Malujama.

    jan Malujama: "telo wawa. o moku"

    Panel 8:

    jan Takata: "a! seme?"

    Panel 9:

    jan Takata: "nnn..."

    jan Malujama: "jan Malujama"

    Panel 10:

    jan Malujama, sitting down: "mi open"

    Panel 11:

    jan Malujama looks over at the computer: "a. lipu esun?"

    Panel 12:

    jan Takata: "lon. mi sona ala ni"

    Panel 13:

    jan Malujama: "mi wile pana sona tawa sina. mi ken pini lon tenpo lili."

    Panel 14:

    jan Malujama: "sina kama sona e nasin ni la lipu ni li kama pali ike ala. lipu ni li pini insa"

    Panel 15:

    jan Takata, as per usual, looks gloomy and worried.

    Panel 16:

    jan Malujama: "sina kute ala kute?"

    jan Takata: "a! kute!"

    Page 6

    Panel 1:

    The panel focuses on the clock. It shows that it's around 10:10 PM.

    jan Malujama: "a. ni li kama e tenpo pimeja"

    Panel 2:

    jan Malujama: "jan Takata o. sina sona ala sona?"

    Panel 3:

    jan Takata: "sona a! pona mute a!"

    Panel 4:

    jan Malujama gets up and stretches his shoulders.

    jan Malujama: "pona la mi o tawa tomo"

    jan Takata: "a"

    Panel 5:

    jan Takata: "jan Malujama"

    jan Malujama: "n?"

    Panel 6:

    jan Takata: "ni la, jan ala li lawa sina. sina pana pona tawa mi tan seme?"

    Panel 7:

    jan Malujama: "n? tan seme?"

    Panel 8:

    jan Malujama, smiling with self satisfaction: "sina jan lili. sina ken ala lukin?"

    Panel 9:

    jan Malujama, with an evil grin: "mi wile kama e ni. sina jan pali anpa mi."

    Panel 10:

    jan Takata looks as though she doesn't understand the words that have just been said to her.

    jan Takata: "...seme?"

    Panel 11:

    jan Malujama laughs devilishly.

    jan Malujama: "ijo ante pi sona ala sina li lon la o toki tawa mi. sina kama sona e pali mi. mi wile e ni."

    Panel 12:

    jan Takata: "..."

    Panel 13:

    The scene shows jan Takata's house or apartment building from the outside. The angle only show the top of the building, enough to show that the scene has changed.

    Panel 14:

    jan Takata, in bed: "n... mi ken awen lon pali ni"

    This chapter is the second chapter I've translated! (Here is the first.) This one has a whole different workflow. Previously, I would work on it in Affinity Photo 2, using sitelen pona toki pona fonts. The text in those would read from left to right, even though you'd read the panels in normal manga order. This would be a similar reading flow to reading manga translated in english, which isn't bad or anything. However, I found that reading sitelen pona in left to right on manga was harder and more confusing than reading english left to right in manga. Since I have pretty decent handwriting and have done some manga typesetting and lettering in the past, I thought it wouldn't be that hard to write all of it by hand.

    So I did it! It kinda sucked to do it all by hand, but I've worked out a decent flow and it's still very pleasant and meditative. I'd estimate that handwriting 8 pages like this took about a week. Then I imported it into Affinity Photo to clean up layers and center the text in the speech bubbles, which took about a day. I asked someone in a toki pona discord to proofread it, and the proofreading and revising process took a few days, but then it was all done! It was a gargantuan amount of labor, but I think it was all worth it.

    I have two main goals when doing this:

    The first was to create a "most authentic" version of a manga translation for this manga. The scanlation group for Hatarakanai Futari, unko mans, does an exceptional job translating this manga into English. It's one of those manga scanlation jobs where you could just sell their work as a tankoban and it wouldn't look out of place. It's official quality. I'd feel like I was letting down the prestige of the group if I was releasing a lower quality translation than they were. Moreover, this level of quality is what I'd imagine an official sitelen pona translation would use. I don't think they'd handwrite it all, but I think there'd be a font that a hypothetical official translation would use that would look similar to what I'm using. Sitelen pona fonts are very limited and all assume that you're writing from left to right, so I have to do it all myself. I also think that working in the same direction as the Japanese raws makes it really easy to fit all the dialogue into the bubbles. I never really feel like I'm struggling to fit everything in, which was a frequent problem I had when working in english.

    The second goal was to just get more attention on Hatarakanani Futari! This is my favorite manga, bar none. When I was reading it for the first time, I cried around every 15 minutes. It's a page a day manga, so chapters like this would be slowly dished out to you over the course of a week (I think). Many chapters are just a page or two, but these longer ones are super impactful, and I think the overall length of the manga really serves to get you to understand these characters in a way few other manga can. The length is an asset!

    I have many more thoughts about this, but I'll save them for future blog posts. The long and short of this is that I would be happy if this project got more people to read this manga.

    1. #toki pona
    2. #hatarakanai futari
    3. #mi tu li pali ala

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  • Evie Finch @ewie

    mi tu li pali ala #1659 - pipi pi pali ala

    oki i did it here's the pages i translated.

    Page 1 of chapter 1659 of the the manga "Hatarakanai Futari". It's been translated into toki pona. The full transcript is included below.

    The second and final page of chapter 1659 of the manga "Hatarakanai Futari". It's been translated into toki pona. It shows jan Sima and the unemployed man still in conversation about ants. A full transcript is included below.

    Full transcript

    Title: # 1659 - pipi pi pali alay

    Page 1

    Panel 1: Two bugs on the ground.

    Panel 2: A college aged man is staring at them. He is unemployed.

    Panel 3: A college aged woman, jan Sima, stares at the scene from panel 2.

    Panel 4: jan Sima says to the unemployed man, "sina jan suli taso sina lukin e pipi". The man says, "jan Sima".

    Panel 5: He continues, "mi lukin e pipi taso..."

    Panel 6: He continues, "sina lukin e mi la sina kama..."

    Panel 7: He continues, "jan pi pali ala". She spurts out in anger, "o toki ala!"

    Panel 8: The unemployed man decides to give her a fun fact and says, over the this and the next few panels, "pipi tu tu wan la..."

    Panel 9: "pipi wan li pali ala"

    Panel 10: He finishes while pointing at an ant, "sina sona ala sona e ni" and jan Sima says, appearing to be in thought, "a..."

    Panel 11: she continues, "ken la mi kute e ni tan jan ante".

    Panel 12: The unemployed man "ni la..."

    Page 2

    Panel 1: Showing some ants on the ground saying "ni li ike" and "mi wile lape" while the unemployed man continues from earlier, "sina kulupu e pipi taso pi pali ala..."

    Panel 2: He asks, "seme li kama?" jan Sima says, "seme."

    Panel 3: The unemployed man says, now standing, "pipi mute lon kulupu li kama pali" Panel 4: jan Sima looking surprised, she says, "a! sona musi!"

    Panel 5: The unemployed man continues talking unexpectedly, "taso..."

    Panel 5: The camera is back to focusing on the ants while the unemployed man says, "lon kulupu ni kin la..."

    Panel 6: Showing more ants complaining, he continues, "kipisi lili li awen pali ala."

    Panel 7: He stares out while the background is dark, except illumated by perhaps his third eye or powerful mind, as if he's saying something impactful, he says, "pipi pi pali ala suli"

    Panel 8: The camera shows him clenching his fist while he says, "mi wile kama jan sama ni"

    Panel 9: He looks up, only to realize that jan Sima has disappeared and says, "seme"

    Panel 10: jan Sima is walking away, saying, "toki ona li weka e sona mi."

    1. #toki pona
    2. #hatarakanai futari
    3. #mi tu li pali ala

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